Description
Medium: Unknown (But likely interdimensional paint scraped from the underside of a forgotten dream)
Let’s begin with the most obvious truth: Familial Universe doesn’t just speak; it cackles maniacally while juggling cosmic soup and whispering secrets to the wallpaper. This is not a painting—it is a psychic séance conducted in vibrant geometry.
At its core, a totemic figure presides over the mayhem—a stitched-together ambassador of fauna, cosmic absurdity, and psychological subtext. Its anatomy is part animal, part sentient machinery, and part fever-dream riddle. Radiating outward: constellations of dot clusters, fever-bright swirls, and dare I say, spiritual Morse code? The palette is as if Lisa Frank broke into an alchemist’s lab and tripped over the sacred vials. Chromatic mischief reigns.
The composition doesn’t just avoid symmetry—it runs from it, screaming, covered in smiley face stickers and glitter blood. You’ll find pattern swarms of cellular and astronomical ambiguity: organisms in emotional disarray or perhaps ecstatic union. It’s a visual ASMR for the psychically overstimulated. (Autonomous Sensory Meridian Response—a fancy term for a very peculiar and oddly delightful sensation.)
Clearly, the artist has been abducted—not by aliens, but by ancestral thought-forms wearing sock puppets. Their psyche bubbles with manic invention, but it’s methodical chaos. This is not randomness; it’s ritual. We’re witnessing someone who’s emotionally unfiltered, spiritually disheveled, and yet technically meticulous. The cognitive soup here blends ancestral reverence with a splash of cartoon delirium, suggesting someone who hallucinates with purpose.
This isn’t madness. It’s a conscious rebellion against rationality, executed with the discipline of an obsessive-compulsive oracle.
“Familial Universe” may be many things, but it’s not silent. It mutters provocations beneath its painterly breath. Each stacked head could represent generational identity—animalistic inheritances passed down like bedtime chaos. The tribal totem quality speaks to lineage but scrambles it, like a family tree drawn by an escaped Dadaist.
The piece slyly references how modern families are tangled in spiritual distortion—be they blood, chosen, or imagined. There’s commentary in the layering: civilization’s attempt to organize identity into digestible units (heads, bodies, quadrants) ultimately collapses into kaleidoscopic entropy.
Display it in your home, absolutely. Right in the foyer. Nothing says “enter if you dare” like an existential multi-beast with glow-in-the-dark guts. I’d place it above a vintage chessboard no one knows how to play, flanked by taxidermy lobsters in tuxedos.
It’s not art for comfort—it’s art for confrontation. Perfect for guests who confuse “quirky” with “dangerous.”
This work is magnetic for the orbitally displaced. Those who color outside the lines—not out of rebellion, but because they’ve swallowed the crayons and developed chromatic synesthesia. It appeals to:
- Philosophers who have read Nietzsche, cried, then doodled unicorns in the margins.
- Surrealists who find Dalí too emotionally restrained.
- Anyone who ever built a shrine to the absurd in their minds and forgot to dismantle it.
Familial Universe is a confrontation with the subconscious, spat onto a cosmic napkin, and left for archaeologists of the soul. It provokes, it giggles, and occasionally it burps metaphysics. Is it beautiful? Wrong question. It’s important—in the way an acid trip whispered by your grandmother’s ghost is important.
If you don’t like it, you might already be part of the problem it’s criticizing.
– Cotton Blend – Lightweight and Comfortable
XS | S | M | L | XL | 2XL | 3XL | 4XL | 5XL | |
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Width, in | 16.50 | 18.00 | 20.00 | 22.00 | 24.00 | 26.00 | 28.00 | 30.00 | 32.00 |
Length, in | 27.00 | 28.00 | 29.00 | 30.00 | 31.00 | 32.00 | 33.00 | 34.00 | 35.00 |
Sleeve length, in | 8.60 | 8.90 | 9.20 | 9.50 | 9.70 | 10.00 | 10.40 | 10.80 | 11.20 |
Size tolerance, in | 1.50 | 1.50 | 1.50 | 1.50 | 1.50 | 1.50 | 1.50 | 1.50 | 1.50 |
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